original 1892-93 ornamental cast brass louis sullivan-designed three-light barebulb ceiling flushmount fixture salvaged from the upper balcony of adler and sullivan's schiller theater auditorium. the fixture is comprised of an unornamented thin circuluar-shaped brass metal disc with three turn-key brass shell edison sockets retaining the original mica insulators. the fixture was originally mounted against the centreally located acorn finial with knurled edge. the original patina is largely intact. few few of these fixtures were salvaged intact. the non-extant late 19th century terra cotta-clad schiller theatre building was designed by architects louis sullivan and dankmar adler of the firm adler & sullivan for the german opera company. at the time of its construction, it was one among the tallest buildings in downtown chicago. the building’s focal point was an elaborately designed 1,300-seat theater noted for its highly organic-themed plaster ornament and remarkable acoustics. opened in 1892, the schiller theater was originally funded by german investors and was projected to be used for german-language operas and cultural events. one of the more tangible references to its german heritage was a series of terra cotta busts of prominent german figures integrated within the second story arcade. the theater changed its name and duties over the following decades. it was briefly known as the dearborn theater from 1898 to 1903, until finally settling on the name garrick theater. after german investors backed out of the project in the late 1890’s, it ceased its german performances, and exhibited touring stage shows. in the 1930’s the theater was acquired by balaban & katz and subsequently used as a television studio and movie theater. after a long decline that began during the depression, the garrick was razed in 1960 and replaced with a parking structure. the demolition instigated a large outcry and is considered to be one of the first wide scale preservation efforts in chicago. photographer and historical preservationist richard nickel spearheaded an effort to document and rescue hundreds of architectural artifacts from the building shortly before and during its demolition.